Meditation on the First Piano Prelude by J. S. Bach
("Ave Maria")
by Charles Gounod
arr. by Michèle Sharik
In 1853, French composer Charles Gounod (1818-1893) had the audacity to think that he could fit a melody over the top of J. S. Bach’s masterpiece, the Prelude No. 1 from
The Well-Tempered Clavier. By now it is probably safe to say that his experiment was successful.
Originally written for violin, piano and "various other instruments" and entitled
Méditation sur le 1er Prélude de piano de S. Bach, Gounod later transcribed it for voices and in 1859, added the words of the
Ave Maria prayer. It was in this form that the work received its most widespread attention and has been passed down as one of the great works of all time.
Meditation on the First Piano Prelude by J. S. Bach ("Ave Maria")